[F540.Ebook] Download Ebook 1001 Wines You Must Taste Before You Die, by Universe

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1001 Wines You Must Taste Before You Die, by Universe

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This highly opinionated, addictively browsable compilation of 1,001 "must try" wines offers the most enjoyable drinking experience for novice and connoisseur alike. Included in the list are classics as well as groundbreaking new up-and-comers from all major regions of the world. Divided into four sections: red, white, sparkling, and fortified wines. The informed selections offer a complete history of the most famous vintages as well as introducing the daring new blends and varietals that are exciting the cognoscenti. Special attention is paid to the world’s classic wine regions like Napa, Chianti, Barolo, Bordeaux, and Burgundy, but the book also takes very seriously recently established areas like Rioja or Australia’s Barossa Valley. Also, the book examines emerging regions just finding their place on the oenological map, like Argentina’s Mendoza, which can provide enormous pleasure at a reasonable price. Each entry comes with an authoritative yet opinionated description of its origin, history, and character as well as anecdotes about the winemakers, the vineyard and the region. This book will immediately appeal to wine fans everywhere and will be a perfect gift item.

• Sales Rank: #44548 in Books
• Brand: Random House
• Model: RH9780789316837
• Published on: 2008-09-09
• Released on: 2008-09-09
• Original language: English
• Number of items: 1
• Dimensions: 8.59" h x 2.73" w x 6.84" l, 4.63 pounds
• Binding: Hardcover
• 960 pages

Features

• Dimesnions:
• Depth:2.54
• Width:6.74
• Length:8.6
• Package Quantity: 1

Review
"With "1001 Wines," you'll learn about, and hope for, a taste of some of the world's most sought-after wines." ~San Francisco Chronicle

"But this massive tome goes way beyond the vapid approach of so many such works, with tasty tidbits and inside information on a masterfully chosen list." ~The Star Tribune

“The list is not of the greatest wines or of authors’ favorites; instead, it includes intriguing, historical, and influential wines. All of them can be purchased, although some are rare and expensive.” ~Library Journal

From the Inside Flap
For thousands of years wine has been among humankind's greatest pleasures and most potent symbols, but never before have there been so many good wines available to try. 1001 Wines You Must Taste Before You Die is here to make choosing the right wine easier. This authoritative and beautiful book identifies the wines and vintages most likely to please your palate, explains what makes them so special, and suggests when they will show at their best. There has never been such a wide range of wonderful wines from all over the world from which to choose. From Burgundy grands crus to California Cabernets, and from prestige cuv�e Champagnes to exciting wines from up-and-coming regions such as New Zealand and Argentina, Neil Beckett and his team of wine connoisseurs and writers recommend a huge variety of wines in 1001 informative and entertaining reviews. They share their experience and expertise through evocative and seductive tasting notes, and give guidelines as to cost. They also recommend other great vintages of the same wine, and other great wines of the same vintage. Each insightful review is supplemented by a photograph of the wine label--itself an integral part of the wine's identity and image--as well as stunning photographs of the vineyards, wineries, and winemakers. Essential reading for every wine lover, 1001 Wines You Must Taste Before You Die is an informative and sumptuous guide that is sure to enhance your enjoyment of the world's most exciting and expressive wines.

From the Back Cover
Among the thousands of great wines on the market, which should you try at least once in your lifetime? 1001 Wines You Must Taste Before You Die ensures that you make the right decision every time. This evocative and informative guide takes you beyond the initial taste sensation to give you history, anecdotes, facts, and opinion. Some of the 1001 wines selected are old and rare, most are readily available, and many represent spectacular value; all are worthy of their place in the book. Together they reflect the thrilling variety that is part of the enduring fascination of fine wine.

Most helpful customer reviews

0 of 0 people found the following review helpful.
Very nice presentation, lots of information about the wines listed ...
By Allison Kelly
HUGE book. Don't know what else I was expecting, seeing as it has 1001 wines in it. Very nice presentation, lots of information about the wines listed in the book. I bought it as sort of a bucket list. Very excited to step out of my comfort zone and try some of the wine they recommend in this book.

3 of 3 people found the following review helpful.
Wide variety of wines
By ram
It's a good book of very different wines. Some are inexpensive some ultra expensive. The really nice thing is that it highlighted wineries that have other less expensive wines that I could try. It's a fun coffee table book.

39 of 40 people found the following review helpful.
I've Got A Lot Of Tasting To Do
By Alan Gettis
I don't think I'm going to get to all 1001 wines before I die. But this book will help me choose the ones I do get to. Filled with great photos, lots of history, and all the facts you want to know about wine, this is an excellent book for both novices and knowledgable wine drinkers.

See all 21 customer reviews...

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• Original language: French
• Dimensions: .67" h x 9.53" w x 12.72" l,
• Binding: Album

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The Fourth Edition of The Longman Anthology of British Literature continues its tradition of presenting works in the historical context in which they were written.� This fresh approach includes writers from the British Isles, underrepresented female authors, “Perspectives” sectionsthatshed light on the period as a whole�and link with immediately surrounding works to help illuminate a theme, “And Its Time” clusters that illuminate a specific cultural moment or a debate to which an author is responding, and “Responses” in which later authors respond to one or more texts from earlier works.

• Sales Rank: #279451 in Books
• Published on: 2009-08-02
• Original language: English
• Number of items: 3
• Dimensions: 9.10" h x 2.40" w x 6.40" l, 4.50 pounds
• Binding: Paperback
• 2904 pages

From the Back Cover

Key Benefit:�The Fourth Edition builds upon the strengths of previous editions with its sustained attention to the context in which the literature was produced and its broadened scope of literature that includes the full cultural diversity of the British Isles.�Key Topics:�Includes canonical authors and newly visible authors.� Extensive selections from previously underrepresented female writers are fully integrated.� New “Responses readings group works that were based on earlier writings to link works across time and place.� “Perspectives readings are broad groupings that illuminate underlying issues in a variety of the major works of a period.�Market:� For anyone wanting a fresh approach to the study and enjoyment of British literature.� ��������

About the Author

David Damrosch is Professor of Comparative Literature at Harvard University. He is a past president of the American Comparative Literature Association, and has written widely on world literature from antiquity to the present. His books include What Is World Literature? (2003), The Buried Book: The Loss and Rediscovery of the Great Epic of Gilgamesh (2007), and How to Read World Literature (2009). He is the founding general editor of the six-volume Longman Anthology of World Literature, 2/e (2009) and the editor of Teaching World Literature (2009).

�

Kevin J. H. Dettmar is W. M. Keck Professor and Chair, Department of English, at Pomona College, and Past President of the Modernist Studies Association.� He is the author of The Illicit Joyce of Postmodernism and Is Rock Dead?, and the editor of Rereading the New: A Backward Glance at Modernism; Marketing Modernisms: Self-Promotion, Canonization, and Rereading; Reading Rock & Roll: Authenticity, Appropriation, Aesthetics; the Barnes & Noble Classics edition of James Joyce’s A Portrait of the Artist as a Young Man and Dubliners; and The Blackwell Companion to Modernist Literature and Culture, and co-general editor of The Longman Anthology of British Literature.��

�

Christopher Baswell is A. W. Olin Chair of English at Barnard College, and Professor of English and Comparative Literature at Columbia University.� His interests include classical literature and culture, medieval literature and culture, and contemporary poetry.� He is author of Virgil in Medieval England: Figuring the "Aeneid" from the Twelfth Century to Chaucer, which won the 1998 Beatrice White Prize of the English Association.� He has held fellowships from the NEH, the National Humanities Center, and the Institute for Advanced Study, Princeton.

�

Clare Carroll is Director of Renaissance Studies at The Graduate Center, City University of New York and Professor of Comparative Literature at Queens College and at The Graduate Center, CUNY.� Her research is in Renaissance Studies, with particular interests in early modern colonialism, epic poetry, historiography, and translation. She is the author of The Orlando Furioso: A Stoic Comedy, and editor of Richard Beacon's humanist dialogue on the colonization of Ireland, Solon His Follie. Her most recent book is Circe's Cup: Cultural Transformations in Early Modern Ireland. She has received Fulbright Fellowships for her research and the Queens College President's Award for Excellence in Teaching.

�

Andrew Hadfield is Professor of English at The University of Sussex. He is the author of a number of books, including Shakespeare and Republicanism (2005), which was awarded the 2006 Sixteenth-Century Society Conference Roland H. Bainton Prize for Literature; Literature, Travel and Colonialism in the English Renaissance, 1540-1625 (1998); and Spenser's Irish Experience: Wilde Fruyt and Salvage Soyl (1997). He has also edited a number, most recently, with Matthew Dimmock, Religions of the Book: Co-existence and Conflict, 1400-1660 (2008), and with Raymond Gillespie, The Oxford History of the Irish Book, Vol. III: The Irish Book in English, 1550-1800 (2006). He is a regular reviewer for the TLS.

�

Heather Henderson is a freelance writer and former Associate Professor of English Literature at Mount Holyoke College.� A specialist in Victorian literature, she is the recipient of a fellowship from the National Endowment for the Humanities.� She is the author of The Victorian Self: Autobiography and Biblical Narrative.� Her current interests include home-schooling, travel literature, and autobiography.�

�

Peter J. Manning is Professor at Stony Brook University. He is the author of Byron and His Fictions and Reading Romantics, and of numerous essays on the British Romantic poets and prose writers. With Susan J. Wolfson, he has co-edited Selected Poems of Byron, and Selected Poems of Beddoes, Hood, and Praed. He has received fellowships from the National Endowment for the Humanities and the John Simon Guggenheim Memorial Foundation, and the Distinguished Scholar Award of the Keats-Shelley Association.

�

Anne Howland Schotter is Professor and Chair of English and Associate Dean of the Faculty at Wagner College.� She is the co-editor of Ineffability: Naming the Unnamable from Dante to Beckett and author of articles on Middle English poetry, Dante, and Medieval Latin poetry.� Her current interests include the medieval reception of classical literature, particularly the work of Ovid.� She has held fellowships from the Woodrow Wilson and Andrew W. Mellon foundations.

�

William Sharpe is Professor of English Literature at Barnard College.� A specialist in Victorian poetry and the literature of the city, he is the author of Unreal Cities: Urban Figuration in Wordsworth, Baudelaire, Whitman, Eliot, and Williams.� He is also co-editor of The Passing of Arthur and Visions of the Modern City.� He is the recipient of Guggenheim, National Endowment of the Humanities, Fulbright, and Mellon fellowships, and recently published New York Nocturne: The City After Dark in Literature, Painting, and Photography.

�

Stuart Sherman is Associate Professor of English at Fordham University. He received the Gottschalk Prize from the American Society for Eighteenth-Century Studies for his book Telling Time: Clocks, Diaries, and English Diurnal Form, 1660-1775, and is currently at work on a study called “News and Plays: Evanescences of Page and Stage, 1620-1779.” He has received the Quantrell Award for Undergraduate Teaching, as well as fellowships from the American Council of Learned Societies, the Chicago Humanities Institute, and Princeton University.

�

Susan J. Wolfson�is�Professor of English�at Princeton University and is general editor of Longman Cultural Editions. A specialist in Romanticism, her critical studies include The Questioning Presence:� Wordsworth, Keats, and the Interrogative Mode in Romantic Poetry, Formal Charges: The Shaping of Poetry in British Romanticism, and Borderlines: The Shiftings of Gender in British Romanticism. She has also produced editions of Felicia Hemans, Lord Byron, Thomas L. Beddoes, William M. Praed, Thomas Hood, as well as the Longman Cultural Edition of Shelley’s Frankenstein. She received Distinguished Scholar Award from Keats-Shelley Association, and grants and fellowships from American Council of Learned Societies, National Endowment for the Humanities, J. S. Guggenheim Foundation, and Andrew W. Mellon Foundation.� She is President (2009-2010) of the Association of Literary Scholars, Critics, and Writers.

�

Most helpful customer reviews

0 of 0 people found the following review helpful.
Good book.
By Sam L
Good book.

1 of 1 people found the following review helpful.
Awesome collection
By Keegan
Fantastic collection of British Literature. Rarely did I feel like the "wrong" selection was included.

The only con would be the paper thin pages, which rip easily. I'm taking off a star for that.

0 of 0 people found the following review helpful.
Overall I had no problems with the delivery and everything turned out great!
By Ajay Sharma
Some interesting stories to read on your own time! It is also one of the reading materials required in a lot of British Literature college classes! Overall I had no problems with the delivery and everything turned out great!

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The Longman Anthology of British Literature, Volumes 1A, 1B, and 1C (4th Edition), by David Damrosch, Kevin J. H. Dettmar, Christopher Bas PDF
The Longman Anthology of British Literature, Volumes 1A, 1B, and 1C (4th Edition), by David Damrosch, Kevin J. H. Dettmar, Christopher Bas EPub
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The Longman Anthology of British Literature, Volumes 1A, 1B, and 1C (4th Edition), by David Damrosch, Kevin J. H. Dettmar, Christopher Bas PDF

The Longman Anthology of British Literature, Volumes 1A, 1B, and 1C (4th Edition), by David Damrosch, Kevin J. H. Dettmar, Christopher Bas PDF

The Longman Anthology of British Literature, Volumes 1A, 1B, and 1C (4th Edition), by David Damrosch, Kevin J. H. Dettmar, Christopher Bas PDF

The Longman Anthology of British Literature, Volumes 1A, 1B, and 1C (4th Edition), by David Damrosch, Kevin J. H. Dettmar, Christopher Bas PDF

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Dita for Print: A Dita Open Toolkit Workbook, by Leigh W. White

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As DITA has become more and more popular, demand has increased for tools that can produce high quality PDFs from DITA content. The DITA Open Toolkit provides a basic PDF capability, but nearly any real-world application will require customization. Leigh White's new book, DITA for Print takes you through the process of building a print customization plugin for the DITA Open Toolkit that will give you control over your PDF output.

DITA for Print is for anybody who wants to learn how to create PDFs using the DITA Open Toolkit without learning everything there is to know about XSL-FO, XSLT, or XPath, or even about the DITA Open Toolkit itself. DITA for Print is written for non-programmers, by a non-programmer, and although it is written for people who have a good understanding of the DITA standard, you don't need a technical background to get custom PDFs up and running quickly.

• Sales Rank: #967665 in Books
• Published on: 2013-10-18
• Original language: English
• Number of items: 1
• Dimensions: 9.25" h x .95" w x 7.52" l, 1.79 pounds
• Binding: Paperback
• 474 pages

Most helpful customer reviews

2 of 2 people found the following review helpful.
If you want to edit your pdf output, you *need* this book.
By Shell Presto
This voluminous volume gives you a week's worth of practice exercises, but it's also easy to skim the exercises for what you specifically need and tailor it to your own docs.

I can honestly say that without this book, I would have been completely lost as to how to format my pdf output. Had this book not been available, I would have either spent weeks scouring the internet for relevant information or would have had to hire someone to make a pdf template. So no how you look at it, owning this book is going to save you time and/or money.

A must have and also a good read. White does a fantastic job of keeping it simple and only giving you the information you need to know to get the task at hand done. I couldn't recommend this more highly.

4 of 4 people found the following review helpful.
Essential guide for care and feeding of PDF transforms
By Melissa Kershes
DITA for Print starts at the beginning, explaining the file structure of the millions (OK hundreds) of files used in the DITA Open Toolkit and explains how to incrementally make changes to a plugin to create PDFs that you can use and be proud of by the end of the book - all without a programming background. Whenever my output isn't quite right I pull out this book and search for the topic and usually find something related to what I am trying to do, and even if it doesn't help me with the exact problem I'm having, it gives me start for where to debug my issues.

2 of 2 people found the following review helpful.
A boon to the DITA community
By Trax falqim
The basics of PDF (print) output using the DITA Open Toolkit. Practical and clear instructions (and best practices) on many things that would take far longer to figure out by digging through websites and dita-users email list posts. I have voluminous notes on working with the DITA Open Toolkit that I will refer to far less now that I have this book.

The DITA community has needed a book like this for 5 years or more.

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[D493.Ebook] Free PDF A Lyrical Approach to Jazz Improvising, by Richie Vitale

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For Preview click on "Preview" link below book. This is a definitive book on "How to Improvise" explained clearly and succinctly by trumpeter Richie Vitale. Richie has taught Master Classes and Clinics at the Eastman School of Music and is currently teaching at New Jersey City University (Njcu). This book, though written by a trumpet player, applies to all instruments and all people looking for a comprehensive book on the theory and thought process behind jazz improvisation. (Also available "Spiral Bound" to sit flat on music stand.)

• Sales Rank: #963459 in Books
• Brand: Brand: lulu.com
• Published on: 2013-12-02
• Released on: 2016-05-14
• Original language: English
• Number of items: 1
• Dimensions: 11.00" h x .22" w x 8.50" l, .53 pounds
• Binding: Paperback
• 96 pages

Features

• Used Book in Good Condition

About the Author
Born in Rochester, New York on September 23 (also John Coltrane's birthday) Richie Vitale played with Miles Davis' drummer, Philly Joe Jones, at the early age of sixteen. Trumpet soloist with Frank Sinatra for five years, he has also performed with such luminaries as Tony Bennett, Buddy Rich, James Taylor and Sting and was featured soloist with the Vanguard Orchestra, the Toshiko Akiyoshi Big Band, the Basie Band, and the Ellington Band. �Richie has taught Clinics and Master Classes at the Eastman School of Music, instructed the Jazz Ensemble at Long Island University and was Brass Instructor at Manhattan School of Music and Long Island University.

Most helpful customer reviews

2 of 2 people found the following review helpful.
He does a good job of explaining the scales
By William E. King
After stumbling across videos of Richie Vitale playing on youtube, I decided to buy his book. He does a good job of explaining the scales, chords, modes, and how to use them to improvise in an easy to understand way, with examples. There are lots of exercises to practice, and this book has plenty of material to learn and keep you busy.

2 of 2 people found the following review helpful.
Five Stars
By Tey carrasco
Great book easy yo work and well expleined

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[B232.Ebook] Free PDF Gallows View (Inspector Banks 1) by Robinson. Peter ( 2013 ) PaperbackFrom Pan

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[B212.Ebook] Fee Download Magnificent Monologues for Teens: The Teens' Monologue Source for Every Occasion (Hollywood 101, 4), by Chambers Stevens

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Book Details:

• Format: Paperback
• Publication Date: 5/1/2002
• Pages: 112

• Sales Rank: #344168 in Books
• Brand: Sandcastle Pub
• Model: FBA-|280011
• Published on: 2002-05
• Original language: English
• Number of items: 1
• Dimensions: 8.50" h x 5.50" w x .25" l, .38 pounds
• Binding: Paperback
• 112 pages

Most helpful customer reviews

37 of 38 people found the following review helpful.
Excellent resource for perfecting monologue readings
By Anton
I am an actor who has performed on television and film for more than ten years. I costarred on a Nickelodeon series called "Space Cases," and appeared in various movies and sitcoms. As a student of theater (I currently attend UCLA), I can honestly say that this book is a wonderful guide in honing one's monologue performances. It is also a joy to read. The characters are unique and from all walks of life. Some of the pieces are hysterically funny. Others are touching--even gripping. The monologues helped me embody a wide array of personalities, expanding my limits as an actor and experimenting with different character types. The writing is superb: Stevens exhibits a strong command of the colloquialisms and slang young people employ in their day-to-day existence. The stories are not wordy or effusive--the language is powerful, yet simple. One of the monologues landed me a part in a UCLA play this spring (ironically, the professor commented more positively on my selection of the monologue than my reading of it). This book is a valuable tool for any young aspiring actor--from their early teens to their college years.

0 of 0 people found the following review helpful.
No substance, mostly awful
By mommysuds51
All the 5 star reviews have got to be paid for or friends of the writer. I honestly cannot even believe how bad this is. I am a theatre director and coach. For a living, I prepare students for their theatrical endeavors.
The vast majority of monologues in this book are unusable.
The characters are weak, one-dimensional stereotypes. The content is borderline creepy at times. Some of the things the characters say sound so forced that it would make me uncomfortable to be the listener.
So many of them are whiny, weak, or insulting toward the "other character" which in an audition, you need to remember that is who you audition for. We don't want you to be yelling at us with weak insults. We want to see range. These monologues have ZERO range. No depth. No strength. They are surface, fluffy pieces I'd never give a student. I feel insulted that this is being passed off as quality audition material. I'm sorry, someone has to be honest.

0 of 0 people found the following review helpful.
A Young Performer's Must-Have!!
By Divinity
Must-have for industry tweens and teens! My child has been using these books for years, and has been very successful with the age-appropriate material.

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[I310.Ebook] Free Ebook Awakenings, by Oliver Sacks

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“Compulsively readable. . . . Dr. Sacks writes beautifully and with exceptional subtlety and penetration into both the state of mind of his patients and the nature of illness generally. . . . A brilliant and humane book.” ― A. Alvarez, The Observer Awakenings ― which inspired the major motion picture ― is the remarkable story of a group of patients who contracted sleeping-sickness during the great epidemic just after World War I. Frozen for decades in a trance-like state, these men and women were given up as hopeless until 1969, when Dr. Oliver Sacks gave them the then-new drug L-DOPA, which had an astonishing, explosive, “awakening” effect. Dr. Sacks recounts the moving case histories of his patients, their lives, and the extraordinary transformations that went with their reintroduction to a changed world. “[Sacks] opens to the reader doors of perception generally passed through only by those at the far borders of human experience.” ― The Boston Globe “One of the most beautifully composed and moving works of our time.” ― The Washington Post “A masterpiece.” ― W. H. Auden

• Sales Rank: #1716692 in Books
• Published on: 2015-08-18
• Formats: Audiobook, MP3 Audio, Unabridged
• Original language: English
• Number of items: 1
• Dimensions: 6.75" h x .50" w x 5.25" l,
• Running time: 13 Hours
• Binding: MP3 CD

Amazon.com Review
It hardly seems fair that so many great doctors are also great writers. Perhaps it's qualities like sensitivity, craft, and dedication that keep physicians like Oliver Sacks in hospitals all day and at writing desks all night; if nothing else, these qualities shine in books like Awakenings. This powerful set of case histories rises above its pathological foundation to find new literary territory, a medical-spiritual synthesis equally stimulating for the mind and the soul. It's no wonder Hollywood producers chose to turn it into a feature film--anyone can see the universal human struggle against bondage and despair in these pages.

The sleeping-sickness epidemic of 1918 caused hundreds of survivors to slip into a bizarre rigid paralysis with similarities to advanced Parkinson's disease. These patients, only occasionally able to communicate or move, were nearly all institutionalized for life, their ranks increasing every now and then with similarly afflicted men and women. Sacks came to work at a long-term care facility shortly before the first exciting results with L-dopa and Parkinson's in the late 1960s; his patients soon embarked on dramatic, difficult recoveries from up to 50 years of torpor. He documents their spiritual and medical obstacles with great care to portray their individual personalities, long suppressed but finally released. Though many great doctors are also great writers, few can compare with Oliver Sacks for expressing the relation of medicine to the human spirit. --Rob Lightner

Review
A masterpiece. -- W. H. Auden

From the Inside Flap
"One of the most beautifully composed and moving works of our time." --"The Washington Post
"Compulsively readable. . . . Dr. Sacks writes beautifully and with exceptional subtlety and penetration into both the state of mind of his patients and the nature of illness generally. . . . A brilliant and humane book." --A. Alvarez, "The Observer
Awakenings--which inspired the major motion picture--is the remarkable story of a group of patients who contracted sleeping-sickness during the great epidemic just after World War I. Frozen for decades in a trance-like state, these men and women were given up as hopeless until 1969, when Dr. Oliver Sacks gave them the then-new drug L-DOPA, which had an astonishing, explosive, "awakening" effect. Dr. Sacks recounts the moving case histories of his patients, their lives, and the extraordinary transformations which went with their reintroduction to a changed world.
"[Sacks] opens to the reader doors of perception generally passed through only by those at the far borders of human experience." --"The Boston Globe
"A masterpiece." --W. H. Auden

Most helpful customer reviews

92 of 96 people found the following review helpful.
Medical Case histories as great art
By A Customer
Oliver Sacks has elevated the case history in Awakenings to a literary art form of the highest kind. A neurologist in charge of a ward of people left high and dry by the 1918 flu epidemic which left them in a profound catatonic state, an extreme form of Parkinson's, he experiments on his patients with a new wonder drug L-Dopa which proves a mixed blessing for them. Some are awakened to brilliant life for a brief time, but most of them are doomed either to revert to their original condition or to die (several know they are going to die and announce the fact). Dr. Sacks (who looks quite demonic on the cover photo) uses his medical powers to change lives with a high-handedness that is almost Faustian. The effects are so extraordinary and strange that some of these stories read like the finest fantasy. All the stories are wonderfully strange, proving that human consciousness is many-faceted and that what we label "disease" may be merely a new avenue of perception. Some of these people perform acts not only bizarre but improbable, showing an unusual level of vitality and no ordinary degree of power. There are people here able to fill whole buckets with their saliva, people who rise from beds they have not left for 30 years with no muscle atrophy, people whose extraperception provide them with a life invisible to others, people who fall into pits unseen by anyone else in a perfectly ordinary hospital hall, unless securely in contact with others, people who can only move "normally" to music, people occupying a strange anachronistic limbo, stuck in the time when they first fell ill, and people who move as slowly as plants grow, whose time sense is distorted so that they seem motionless as statues for hours of a time arrested in mid-movement, though in their own perception, they are completing an activity (brushing their hair) at an ordinary pace. This is Sack's greatest work, a riveting portrait of human possibilities at their most extreme.

75 of 80 people found the following review helpful.
Wonderfully written, but less than that of his other work...
By S. Hung
If I had never read "The Man who Mistook his Wife for a Hat" before this book (both by the same author), I would have rated this as a five-star classic. Though as well written as the other work, this book presents his studies in a less humane, and more scientific way. Read the other work and one will sense the noticeable difference in the way that Dr. Sacks approached his patients. When reading the "Awakenings", I felt as a detached bystander looking through the windows of his clinic and observing the patients. When reading "The Man who Mistook his Wife for a Hat", I was so engaged by Dr. Sacks vivid descriptions of the patients, physically, intellectually, emotionally and spiritually, that it was as if I was face-to-face with the patients, and that I was connected in some intrinsic way to each and every one of them. Please please read the other work as well as this one.

36 of 41 people found the following review helpful.
Despite flaws, one of the most human books I've read
By Michael Fridman
Despite flaws, one of the most human books I've read

In 1969, Oliver Sacks gave L-DOPA (a recently released "miracle drug") to scores of his post-encephalitic Parkinson's patients. Most of them woke up - after essentially being in a state of sleep/death for over 30 years. They were the remnants of the great post-WWI epidemic and most spent virtually all their adult lives institutionalised. They were suffering from a specific "flavour" of Parkinsonism - and contrary to popular belief, this disease is not about shaking or tremors but more about the warping of an internal sense of scale (of space and time) which makes movement, thought and being human almost impossible. L-DOPA gave the patients a new lease on life, but at a terrible price.

The book chiefly outlines the case histories of individual patients in the course of the treatment. Although occasionally Sacks is repetitive from one patient to another (one of the book's flaws), his attention to detail, his degree of empathy and the vividness with which he describes the patients and their lives are breathtaking. The book gives an amazing impression of what it's like to go from being at a standstill (your mind being taken up by a map of a map of a map of a map...of nothing) to the frenzy of mania (one patient spoke at 500 words a minute).

Awakenings has inspired a Hollywood movie, dozens of plays, documentaries, theatrical productions and more. This is because the story is about so much more than a particular disease. It's about what it means to be human. And it's about the tremendous strength of the patients in the face of a disease that has to be read about to be believed - literally a living hell. Although Sacks seems almost mystical-dualist at times (the other main flaw in my opinion), his purpose is to bring the story to the world and to encourage a more wholistic, empathetic medicine that does not aim to reduce the human to symptoms and side effects, especially when it's completely counterproductive for certain disorders.

Very recommended despite some minor flaws.

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